You can find more details in the official release notes for Adobe Premiere Pro April 2017. Feature wise, this is certainly a pretty big release. Video editors and live broadcasters use titling software to add titles to their videos. Hopefully there will be a patch update for some of the random freezes and crashes coming soon. It also has a nice selection of lower thirds for Premiere Pro. Only once you get to dealing with more than a handful of audio tracks or need more fine grained control does it make sense to do your audio work outside of Premiere Pro.įinally, I have noticed that both Premiere Pro and Adobe After Effects have been a little bit unstable since the release and this is something I think Adobe could generally do better in – regression testing. I use it for almost all of my projects and I hardly ever take my tutorials across into Adobe Audition or Steinberg Cubase because I can do everything I need to do directly in Premiere Pro without much effort.
The Essential Sound panel is probably the biggest win to me. Motion Graphics templates provide an excellent way to reduce friction working with title templates and I am happy to see that I can now expose a whole range of other properties from my After Effects compositions to be adjusted in Premiere Pro. There are still a lot of things to fix with the new title tools, from convoluted UI controls to lack of control over item alignments and arrangement, but I appreciate the additional control over animations for every item. Overall I am quite happy with a lot of the new features that can be found in Adobe Premiere Pro CC April 2017. However, creating titles from zero can be a time-consuming and tedious process, and that’s when you will feel the necessity of Adobe Premier Pro & After Effects intro and title templates.
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